Image of the Solovetsky monastery on the Old Believers’ and “Niconian” icons
https://doi.org/10.15829/2686-973X-2022-88
Abstract
The image “The Hermitage of the Solovky Miracle Workers” appeared in Russian icon painting in the middle of the 16th century and developed over the course of 17th — 18th centuries. The article examines similarities and differences between the Old Believers’ and ‘Nikonian’ versions of the Solovetsky monastery on the example of icons represented at the exhibition “Me Avvakum Archpriest, I believe so” which held in the Museum of Russian icon in 2021. From the end of the 17th to 19th centuries two versions of the image of Solovetsky monastery which could be confidently associated with both the official Church and clearly Old Believers’ communities have survived. On the “Nikonian” icons the image of the monastery is close to its actual appearance to the time of creating of an icon, icon painters use coeval engravings actively. The Old Believers either ignored references to the real appearance of the monastery or preferred to focus on the iconography of the 17th century. They also used engravings but used to adopt those samples to their specific requirements: the cathedral could have a hipped roof, the crosses on all domes were strictly eight-pointed, the blessing gestures of the saints and the inscriptions retained the Old Believer features.
Keywords
About the Author
Yulia N. BuzykinaRussian Federation
Yulia N. Buzykina — candidate of art history, researcher
Moscow
References
1. “Az Avvakum protopop...” 2021 — “Az Avvakum protopop so I believe.” To the 400th anniversary of the birth of the spiritual leader of the Old Believers. Catalogue of the exhibition (2021). M., “Skanrus”. 452 p.: Il.; ISBN: 978-5-904339-23-4.
2. Vasilyeva 2012 — Vasilyeva, O. A. (2012) Icon Of Pskov. M.: “North pilgrim.” T. 1-2. S. 488, Il. ISBN 978-94431-340-9.
3. Veres 1980 — Veres, S. V. (1980). The evolution of the appearance of the Solovetsky Monastery according to its images. Architectural and artistic monuments of the Solovetsky Islands. Ed. Likhachev D.S. M., “Art”, 205-230. ISBN: 5-274-01748-7.
4. Icons 2000 — Icons of Tver, Novgorod, Pskov XV — XVI centuries (2000). Catalog of the CMiAR collection. Issue I. Ed.-comp. Evseeva, L. M., Soroity, V. M.: Indrik, pp. 416. ISBN: 5-85759-118-X.
5. Icon 2007 — Icons of the XIII — XVI centuries in the collection of the Museum of Andrei Rublev (2007). Moscow: Severnyi Palomnik. S. 620. ISBN: 5-94431-203-3.
6. Komashko 2006 — Komashko, N. I. (2006). Russian icon of the XVIII century, Moscow: Agey Tomesh. ISBN: 5-91002-001-3.
7. Milchik 1980 — Milchik, M. I. (1980) The architectural ensemble of the Solovetsky Monastery in the monuments of Ancient Russian painting. Ed. Likhachev, D. S., Architectural and artistic monuments of the Solovetsky Islands. M., “Art”, p. 344. ISBN: 5-274-01748-7.
8. Milchik 2017 — Milchik, M. I. (2017). Ancient Russian iconography of monasteries, temples and cities of the XVI — XVIII centuries. Articles 1973 — 2017, St. Petersburg: Kolo Publishing House. p. 380. ISBN: 978-5-4462-0067-2.
9. The Story of Zosim and Savvatiya 1986 — The Story of Zosim and Savvatiya: Facsimile reproduction (1986). Author of the scientific reference apparatus: Chernilovskaya, M. M., Popov, G. V., Zhuravsky, B. P.; scientific ed. Knyazevskaya, O. A. M.: A book. p. 479.
10. Signed and dated icons 2020 — Signed and dated icons of the XVI — early XX century in the collection of the State Museum Association “Art Culture of the Russian North” (2020). Exhibition catalog. Ed. Veshnyakova, O. N., Koltsova, T. M. (ed.), M.: Three Squares. ISBN: 978-5-94607-246-5.
11. Polyakova 2006 — Polyakova, O. A. (2006). The architecture of Russia in its icon. Cities, monasteries and churches in iconography of the XVI — XIX centuries from the collection of the Kolomenskoye Museum-Reserve. Album, B.M.: Basic element. p. 252.
12. Rovinsky 1885 — Rovinsky, D. A. (1885). Detailed dictionary of Russian engravers of the XVI — XIX centuries. St. Petersburg, Type. Imp. Academy of Sciences, Vol. 1.
13. Simon Ushakov 2015 — Simon Ushakov — the Royal Isographer: Exhibition Catalog (2015). Scientific ed. Nersesyan, L. V. M., p. 528. ISBN: 978-5-89580-092-8.
14. Masterpieces 2009 — Russian Icon Painting Masterpieces of the XIV — XVI centuries from private collections: Catalog (2009) Moscow: Charitable Foundation “Private Museum of Russian Icons”. p. 592. ISBN: 978-5-904339-01-2.
Review
For citations:
Buzykina Yu.N. Image of the Solovetsky monastery on the Old Believers’ and “Niconian” icons. Russian Journal of Church History. 2022;3(1S):76-83. (In Russ.) https://doi.org/10.15829/2686-973X-2022-88