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| Issue |
Title |
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| Vol 6, No 4 (2025) |
The late 16th century icons of Kargopol masters from the Solovetsky Monastery and their artistic context |
Abstract
PDF (Rus)
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Yu. N. Buzykina, A. S. Preobrazhensky |
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| Vol 6, No 2 (2025) |
Stepanov K. P. as the founder of the educational icon painting workshop at the Donskoy Monastery |
Abstract
PDF (Rus)
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|
E. V. Guvakova, V. V. Simonov |
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| Vol 4, No 1 (2023) |
Catholic churches or Orthodox cathedrals? Basilicas of Venice and Padua in the notes of Vasily Grigorovich-Barsky |
Abstract
PDF (Rus)
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|
Yu. N. Buzykina |
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| Vol 2, No 3 (2021) |
Tradition and historical reconstruction in modern Church art on the example of the “Apocalypse” by Nikolai Masteropulo (from the point of view of the Medievalist) |
Abstract
PDF (Rus)
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Yu. N. Buzykina |
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| Vol 1, No 3 (2020) |
Millennium of perception of the Holy Scripture in Russia |
Abstract
PDF (Rus)
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I. V. Pozdeeva |
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| Vol 1, No 3 (2020) |
The metropolitan samples on the East of Empire: notes about the style of the earliest illuminated Bible (Paris. syr. 341) |
Abstract
PDF (Rus)
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|
М. A. Makhanko |
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| Vol 1, No 3 (2020) |
Illuminated Gospel, dated 1684, from the Cathedral of the Archangel at the Moscow Kremlin Museums: to the question of iconographic sources |
Abstract
PDF (Rus)
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V. A. Saltykova |
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